The Valtellina of Aldo Rainoldi (Part IV)

My sole poor quality photo of Inferno taken on the road to Chiuro

Having seen the vineyards, guzzled the widely available vino, and eaten the local food, it was time to move on to an actual cellar.  We had scheduled a visit to Aldo Rainoldi in advance of departure to Italy, and it turned out it was a bit fortuitous as all the producers in the area were preparing for VinItaly.  After settling into our hotel in Sondrio and eating pizza and gnocchetti with a venison ragu, we headed a few miles down Via Stelvio to the town of Chiuro where Rainoldi's cellar is based.

A glass-line tank in Rainoldi's cellar now used to store cases of bottled wine

If I were to describe Rainoldi in a sentence or two, it would be as a modern producer rooted in tradition.  Their approach is pragmatic on one level--their website is "Flash"-y and highlights the awards they've received while they invite invite tourism and have an area for hosting tasting at their cantina.  Yet they trace back five generations all headed by an Aldo Rainoldi to around 1925 and maintain production of traditional botti-aged Valtellina Superiore DOCG Crus.  Perhaps an appropriate visual metaphor is the above glass-lined fermentation tank that Rainoldi now uses to store bottled wine.  The history is not forgotten or discarded, but rather is part of the evolution.  

Botti containing (from left to right) 2008 Grumello, 2010 Sassella and 2010 Sfurrsat

Rainoldi produces up to 200k bottles per vintage covering a broad range of styles and price levels.  The entry level Rosso di Valtellina and Nebbiolo IGT are made only in stainless steel.  Next are the 'tradizionale' bottlings from Grumello, Sassella and Inferno that are aged exclusively in botti for 18 months, then given a year in bottle before release.  The Inferno and Sassella Riserva cuvees represent a more modern approach as these see 1st-use medium toast barriques from the Allier forest, though it's not clear whether these see all new oak or only some.  In addition there is a cuvee named Prugnolo after the local name for a stone fruit bearing blackthorn.  This is a blend of three Crus and is aged in 2nd use barrels.  But there is still more: two different Sfursats where the Nebbiolo berries are dried at different elevations, one near the valley floor and the other in a building above the valley, and a pair of white wines.

A barrique containing 2010 Sassella

Our two-hour tour and tasting with Michela Rainoldi began by descending into their cellar.  After passing by the glass tanks, we entered into chambers filled with botti.  Botti may be commonplace in Italy and southern France, but these were quite novel to me given that I've only seen a handful in California wineries.  (In fact, the largest collection of botti I saw in California were being used for display!)  Those pictured here are rather newer looking, but others looked well-worn and extremely old.  If you look carefully the botti have a glass contraption on top for monitoring the level of wine in the vessel.  When the level of wine gets too low due to evaporation there is risk of oxidation and they must be topped off.  I neglected to ask about the type of wood used for the botti, though chestnut is possible if not likely.

Dusty old bottles in the cellar

Though there were barriques for the Riservas, there was something else you don't see in the New World: decades old bottles.  Unfortunately these weren't part of the tasting that followed, but then there wouldn't be much wine left for the next generation if they did that.  Seeing this sort of living history does make one inclined to trust the producer's estimation of aging capacity.  They know because they've seen how the wine evolves.

The tasting lineup running in order from right to left

As for the wines themselves, we tasted primarily from the 2007 vintage with a couple from 2008 as well.  Notes are included at the end and include the bianco Tzapel, Nebbiolo vinified as a white and Sauvignon Blanc, we took home with us. Michela Rainoldi, who seemed to have a very keen sense of the business, added a bit of context in explaining that in Valtellina in the past 5-10 years the overall approach has changed in the direction of making less rustic, less astringent wines.  That along with the 2007 vintage's warmth seemed to be evident in their overall character.


The 'tradizionale' bottles (on the right, though Michela mentioned they will be using a more contemporary label soon) were terroir-driven, yet had a refinement of texture and class that I hadn't found in the widely distributed Valtellinas.  The Prugnolo and Inferno Riserva showed a bit more flesh and flashiness--the finesse and flavors of the oak were present though nicely integrated.  Personally, I like what high quality oak adds to wines when used judiciously, especially wines that are less rich in the first place because they often are rounded out without over-extracting from the barrel.  Finally was the Sfursat, made by drying grapes on mats after harvest to increase concentration.  It's a style that I don't think anyone could dislike.  The high toned Nebbiolo character is still there, yet it is concentrated with darker fruit flavors without seeming raisiny.  Still my preference remained for the Valtellina Superiore style, though I enjoyed both the traditional and more modern approaches.  Certainly if you encounter Rainoldi's wines in the US, you should view the Riservas not simply as 'better' but also 'different' due to the stylistic goals they are aiming for in the cellar.

Something every tasting room needs: a deli slicer for cutting paper thin pieces of cured meat

Last but certainly not in this series least is my post on Ar.Pe.Pe.

• 2007 Rainoldi Valtellina Superiore - Grumello - Italy, Lombardia, Valtellina, Valtellina Superiore - Grumello
  
  
  16-20 months in botti, 1 year in bottle before release. Aromatic, floral, red fruits and tobacco. Elegant, refined, smooth fine tannin, well balanced. Mid weight.


• 2008 Rainoldi Valtellina Superiore - Sassella - Italy, Lombardia, Valtellina, Valtellina Superiore - Sassella
  
  
  Aged in Slavonian oak botti, tougher vintage than 2007. Aromatic and showing mainly red fruits, but not as defined, structured or complex as the 2007.


• 2007 Rainoldi Valtellina Superiore Prugnolo - Italy, Lombardia, Valtellina, Valtellina Superiore
  
  
  Named after a wild stone fruit that grows locally, translated as blackthorn or sloe. A blend of Sassella, Valgella and Grumello aged in 2nd use barriques. Round, smooth, red fruits (again), but with some oak spice, toast and tannin. Floral, less herbaceous than the tradizionale bottlings.


• 2007 Rainoldi Valtellina Superiore - Inferno Riserva - Italy, Lombardia, Valtellina, Valtellina Superiore - Inferno
  
  
  Modern style, aged in new barriques, intended for aging, from the smallest, steepest and rockiest Cru in Valtellina. Refined, structured, spicy, floral, red fruits (yet again), though more mature/ripe in character with a bit of cocoa. A departure from the regional style, but I am a sucker for wines that balance character with the sheen that quality French oak brings.
  
  
• 2008 Rainoldi Valtellina Sfursat - Italy, Lombardia, Valtellina
  
  
  From 500-600 meters above sea level where there is more heat/sun exposure as well as large diurnal flux. Dried on mats after harvest. Tannic and extracted, more rich than raisiny, approaches the concentration of Piedmont with this style. Interesting spice/ginger character, concentrated, tannic. More a wine of a style than varietal or regional expression, though this is the traditional approach to make a powerful alpine Nebbiolo.
  
  
• 2011 Rainoldi Valtellina tzapel - Italy, Lombardia, Valtellina
  
  
  A blend of Nebbiolo vinified as a white wine and Sauvignon Blanc. Some dissolved CO2 was present when opened, probably from going from a cool cellar at ~200 m to serving temp at 1500 m. Uber-refreshing, high acidity and 12% ABV. Yet had very surprising viscosity, weight and body. The nose was fruit-driven, melon and apple. Minerality underneath it all on the finish. A quaffer with significantly more going on than you can expect for sub-$10 (ex-cellar). I don't see much relation between Nebbiolo made as Bianco and regular Nebbiolo--the skins seem to have all the magic of Neb--but it does seem to make a lovely round yet light wine.

The Valtellina Superiore of Nino Negri (Part III)

I don't have any problem saying that US grocery store wine is generally terrible.  Not terrible as in undrinkable, but terrible as in having all the character of a Kraft Singles cheese slice.  Except slathered in bizarre oak treatment rather than plastic wrap.  Italian grocery store wine, though, that's a different story.  Even the miniaturized version of the chain grocery store (Iperal) in the sleepy lake town of Domaso had a whole aisle filled with wine, most of which was local and moderately priced.

Nino Negri and Fratelli Bettini's signs nestled in the vineyards at the western edge of Sassella

The biggest footprint on the shelves belonged to the wines of Nino Negri.  Negri is not a small producer by any means.  The yearly production at Negri according to Isabella Pelizzatti Perego of Ar.Pe.Pe. is around 1 million bottles--about 25% the production of the entire Valtellina region.  But it isn't Gallo, either, and it showed in the wines.  The production is divided over a variety of price levels, styles, and Crus.  There is clearly some deference to market forces as there must be, but there is also value in a producer that makes legitimate and readily available wine.

Aside from a Negri Rosso di Valtellina that was weirdly spritzy and well, plonky, the entry level Cru bottlings had more going for them than you could hope for given the modest $11-$12 US tariff.  It is common for producers to lease vineyards or purchase fruit from families who want to keep their land, but don't have the means or interest to make wine commercially.  My guess is the 'basic' Valgella, Inferno, Grumello and Sassella have significant contributions from 'negociant' purchases of this nature.  (I also noticed different labels on the same shelf for the same vintage and Cru, suggesting multiple lots or sources of a certain bottling.)

Early on we picked up a horizontal of the 2007 Negri Valtellina Superiore Crus (notes below) for pairing with meals at 'home' throughout the week.  The wines showed minimal oak influence and were fresh, aromatic expressions of Nebbiolo with vinous structure.  The 2007 vintage was characterized as excellent when we visited Rainoldi, which I take to mean warmer than usual.  Perhaps that gave these entry level wines a bit more material than usual.  The Sassella, for example, had weight comparable to a more elegant leaning Barbaresco.  Regardless, I found it remarkable that what one might otherwise expect to be a notch above vino da tavola actually expressed typicity of the Crus (as characterized by the producers in Valtellina and in Bastianich's Vino Italiano).  There were hints of rusticity; though clean these weren't polished wines.  But they displayed plenty of character, had honest structure, and went well with pasta, cheese and salami.  What more could you want?

Up next, separate posts for our visits to Rainoldi and Ar.Pe.Pe.

• 2007 Nino Negri Valtellina Superiore - Valgella - Italy, Lombardia, Valtellina, Valtellina Superiore - Valgella
  
  
  Aromatic--tobacco, rose, dried cherry. Lighter/med body, earthy flavor. Mineral (iron), med acidity and somewhat astringent tannin. The note doesn't do it justice--rather ethereal and weightless, hard to put down due to its bouquet. The lightest of the '07 Negris I tried.


• 2007 Nino Negri Valtellina Superiore - Inferno - Italy, Lombardia, Valtellina, Valtellina Superiore - Inferno
  
  
  Rounder, but tighter nose than the Valgella. Cherry and red fruit, iron, mildly earthy. Medium body, tannin became more pronounced with air and aromas opened up. Minerality, tobacco/herb and meaty-spicy Nebbiolo bouquet develop. Good material, needs an hour decanting now.


• 2007 Nino Negri Valtellina Superiore - Grumello - Italy, Lombardia, Valtellina, Valtellina Superiore - Grumello
  
  
  My least favorite of the Negri quartet tried over the week. Meaty, earthy, spicy aromas, a bit rustic on the palate. Cherry, med tannin, med acidity, light red color. Finishes a little bitter and slightly astringent. Still, perfumed with pleasant herbal character--the nose is great even though this wasn't a complete wine. Like other Negris, no noticeable oak.


• 2007 Nino Negri Valtellina Superiore - Sassella - Italy, Lombardia, Valtellina, Valtellina Superiore - Sassella
  
  
  Cherry, menthol, tobacco, spice. Ripe tannin, well structured, sweet fruit, lengthy finish with a hint of tar, warm. Med/full body, giving an almost Barbaresco-like weight and texture. Consistent with perceived typical character: not as powerful as Inferno, more stuffing than Grummello and Valgella. Yet this was open and nuanced aromatically. A bargain.

Just as a little bonus, here's are a couple of good 'grocery store' wines from Bettini, whose vineyard sign is pictured above.  The first is a white wine made from Nebbiolo and the second a well-aged 1997 Valtellina Superiore that was buried on a bottom shelf.

• 2010 Bettini Chiavennasca Bianco Terrazze Retiche di Sondrio IGT - Italy, Lombardia, Terrazze Retiche di Sondrio IGT 
  
  Tasted from a cup--wasn't aromatic but perhaps that was the cup not the wine. A white wine made from Nebbiolo, which is called Chiavennasca in the Valtellina. Had very round texture with fresh and mineral driven flavors. Cheap, too, at about $8 US.

• 1997 Bettini Valtellina Superiore Riserva - Italy, Lombardia, Valtellina, Valtellina Superiore


Aged Nebbiolo bouquet. Intoxicating aromas of dried cherry, rose, iron and earth. Light/med body, high acidity, grapefruit pith on the finish. Intense minerality, Nebbiolo spice inner aromas, tannin mostly resolved. Found at the Iperal grocery store in Colico for ~$16. In really great condition given 15 years of age--silly to find this on the shelf for a pittance.

The vineyards of Valtellina (Part II)

The Valtellina is a region that must be seen to be grasped. It is possible of course to find mention of the area in excellent references like Bastianich and Lewis' Vino Italiano that even go so far as to offer notes on typical styles of the various DOCG designated Crus in the Valtellina Superiore DOCG. But that doesn't do real justice to the extreme viticulture required to grow Nebbiolo, known locally as Chiavennasca,* that takes place in this transverse east-west valley in the Alps.

The map pictured above is from Vini Aldo Rainoldi's tasting room, and a version with legible labels can be found on Rainoldi's website (albeit with a different color code) under the "Wine" tab. At the far left on the map is the entry to the valley from the northern edge of Como. The city of Sondrio is located in the middle of the map, more or less between the arrows pointing to Sassella and Grumello. Coming from the western mouth of the valley, Sassella is the first Cru one encounters just outside of Sondrio. The foot of the vineyard is just a bit off the highway, which is really a two-lane road running through valley parallel to the Adda River. It then rapidly climbs upward from the valley floor hundreds of meters by way of stepped terraces. As is the case with all the vineyards in the valley, the exposure is due south--the picture was taken facing north--to maximize sun exposure in this marginal climate. (I was told those who live on the south side of the valley with northern exposure tend to be a rather dour sort due to the lack of direct sunlight.)

Just to the east of Sondrio lies Grumello with the ruins of the Castello Grumello, a castle built in the 14th century then torn down in the 16th century, overlooking the vineyards. Here the slopes are slightly less precipitous, though the picture shown above by Castello Grumello facing to the east does not capture the terracing immediately below. The Adda River runs through the valley on the right side of the picture of Grumello and Inferno. A different perspective of the Grumello Cru is shown below facing north with the castle and relatively gently sloped vineyards in the center of the view.

The producers have signs with their names and the name of the Cru on the hillsides. To the right, signs for Grumello with Nino Negri and Salis can be seen. Though less clear in the picture above of Sassella, signs for Negri again and Bettini can be seen.Unfortunately, I did not get any direct photos of Inferno or Valgella, which is the pink region in the map of Valtellina where the wine region curves northward. Valgella is actually the largest Cru, and its wines seemed to be the most common in local shops. The two producers we visited, Rainoldi and Ar.Pe.Pe., focused primarily on Grumello, Sassella and Inferno. From what we tasted, these three Crus tended to produce wines with more stuffing, and the smaller producers seemed to focus more on these vineyards than Valgella. But, of course, our sample size was extremely limited. In total, there are around 800 hectares (about 2000 acres) of vineyards at present in Valtellina, though we were told that as much as 3000 hectares (7500 acres) were once under vine.

The general impressions given were that Grummello tends to be more gentle in character, open, gentle, soft, round and fruit driven, perhaps due to the less steep and less rocky vineyards. Sassella is steeper and rockier, thus more austere, mineral-driven and closed in youth due to its structure. Inferno, though, has the most fanciful descriptions: it is not called "Hell" without good reason. Inferno is a bit like Sassella on steroids. It is steeper, rockier, and even more mineral driven. In summer, it bakes. Regardless of the weather, it is an extremely perilous Cru to work in due to its sheer verticality. Regardless of the Cru, the wines tend be high-toned and aromatic, expressing the spicy and floral side of Nebbiolo, as well as mineral driven with iron a being a particularly common flavor.

To finish, I have one final lesson on the vineyards of Valtellina: don't look down. A corollary of which is: watch your step. The picture to the left was taken at the west edge of Sondrio in the Sassella Cru. Some of the perspective is lost here, but we were at least a hundred meters above the valley floor. Looking almost straight down are the stacked terraces with the road and Adda River directly below. The stone steps and paths are navigable with some care under normal conditions. But I can only imagine the peril of traversing these vineyards with 100 pounds of grapes on my back. This quite literally medieval. Mechanization is impossible on these historic plots, relics of an era when the only way to avoid floods was to build upward onto the mountains. I almost have to laugh thinking about what some California producers call old vineyards or superior exposures. Valtellina is a great macro-terroir filled with unique vineyards worthy of Cru designation because of their specific expression. Unfortunately the ethereal rather than powerful nature of its wines and its general lack of recognition mean it languishes in obscurity.

Up next, tasting notes from the four major Crus by way of Nino Negri's entry level wines.

*The city of Chiavenna is in a neighboring valley that runs north from Como rather than to the east.

A week in the Valtellina (Part I)

This didn't start out as a vino-centric vacation. No, actually the plan was simply to stay with my wife's uncle somewhere in the vicinity of Lake Como and improvise. But as it turned out, we landed at the very northern tip of Como. From there you can go north to Chiavenna and Switzerland, south to the tourist centers like Menaggio and Bellagio, or due east into the transverse Valtellina valley. We chose option (d), all of the above, but once we knew where we were going to stay it didn't take long for us to figure out we were next to the premiere alpine Nebbiolo producing region and had to commit a couple of days to visiting the area. Valtellina is also the only precarious, vertiginous terraced Nebbiolo producing region that I know of, but let's not let simple facts get in the way of the story until later.

The first thing that I noticed--and couldn't keep from noticing day after day--was the bizarre juxtaposition of seemingly Mediterranean plants like palm trees (above), loquats and aloe with 8000 foot, generally snow-capped peaks (also above). Here we were in the Alps, yet the flora was seemingly identical to that of the California Central Coast. Part of it is likely the moderating influence of the lake as I have my doubts palms and succulents can handle a hard freeze like deciduous plants. Ignoring that, however, the other part of the equation is the solar flux imparted by elevation. Particularly on the south-facing slopes, there is a lot of sunlight. And that seems to be the key to growing grapes as well in a continental, alpine climate.

The picture above is from the village of Domaso on the western side of Como. While this is well outside of the Valtellina, it gives a good impression of the terracing employed throughout the region. The hillsides are littered with these walled terraces; behind the house where we stayed we found a variety of outbuildings mingled among the terraces. In the areas without cover from trees, more often than not vines are cultivated. Domaso actually falls within the Terre Lariane IGT designation, and the winery pictured above is Sorsasso, one of two in Domaso. The other producers in this IGT are near Lecco, at the southeastern tip of Lake Como. We didn't visit any of these producers because we didn't know they existed until wandering up footpaths in the village. We did bring back a bottle each from Domaso-based producers Sorsasso and Angelinetta, which interestingly are Sangiovese-based blends.

Next up, Part II on the vineyards of Valtellina.

Dusting off the old blog . . . .

It's been a while since I posted. But there's some posting to be done following up on my recent trip to the Italian Alps. No, they don't grow Cab Franc there, though I did have a nice Friuli Cabernet Franc from Ca' Bolani, one of Zonin's properties, at lunch one day. What they do grow is Nebbiolo on the vertiginous terraces of the Valtellina valley. And damn is it delicious.

My hope is I can provide some useful info to the stray googler. But for the couple of you guys still following this blog . . . . stay tuned. The Valtellina is the most interesting wine region I've visited yet. And who knows, maybe I'll be motivated to post on a few interesting producers in New Mexico as a follow up.

TN: Château de la Maltroye 2006 Santenay 1er Cru La Comme

Burgundy is a region I'd like to explore. But it is simply too expensive to spend much time exploring. Except when I can find fair deals on wines like Château de la Maltroye 2006 Santenay 1er Cru La Comme. Primer Cru vineyards are upper echelon vineyards. But Santenay is less well regarded than other Burgundy regions. So perhaps this wine slipped through the cracks for this reason.

No matter, this is Pinot through and through. The elegance and perfume are typical, though the specific expression of the varietal is so varied. This actually does seemed a bit New World in the fruit-forward approach, but the weight and acidity are much more typical Old World traits.

• 2006 Château de la Maltroye Santenay 1er Cru La Comme - France, Burgundy, Côte de Beaune, Santenay 1er Cru
  
  
  
  Classic Pinot. Mid-weight, with floral, truffle and spice aromas. Opens up to red fruit flavors, mainly strawberry. Fruit-forward, but with excellent complexity and not bombastic at all. No heat, clean finish. Good value. Mild tannic structure, medium+ acidity.
  
  
  
  From southern portion of Cote de Beaune, southern exposure, limestone and marl soils.
  
  

TN: Clendenen Family Vineyards 2001 Bien Nacido Vineyards Nebbiolo

Now this is wine: Clendenen Family Vineyards 2001 Bien Nacido Vineyards Nebbiolo. I've yet to have a properly aged Barolo or Barbaresco, but surely this wine indicates I should be laying down high quality Nebbiolo. While Santa Barbara County isn't renowned for Nebbiolo, a notoriously finicky grape, this is excellent wine with years of potential development ahead of it. The structure is awesome, and there's enough flesh and complexity to make this wine far more than a rigid backbone. It's a wine I have when relaxing at home during the evening where I can sip it and let it evolve. If only my cellar had more wines like this!

The wine is produced by Jim Clendenen of Au Bon Climat from Bien Nacido fruit. Chardonnay and Pinot Noir typically come to mind with Clendenen and Bien Nacido. But I guess Clendenen wanted to take on a grape even more challenging than Pinot. While I'm no Nebbiolo expert, I think this was a real success and is better than the Piedmont Nebbiolos I've tasted around this price point.

• 2001 Clendenen Family Vineyards Nebbiolo Bricco Buon Natale Bien Nacido - USA, California, Central Coast, Santa Maria Valley
  
  
  
  Right up my alley. Firm, but not heavy. Ripe, mature cherry and raspberry. Leather, violet, tar, cedar and spice. Complex, well-balanced. Med-high acid with chalky tannin. Long finish, I could sip this all night. If medium aged CA Nebbiolo can be this good, I should be stocking up on Langhe Nebbs.
  
  

TN: Ironstone 2007 Sierra Foothills Cabernet Franc Reserve

The Ironstone 2007 Sierra Foothills Cabernet Franc Reserve was about what I expected it would be: a typical $15 reserve style wine. So your basic simple $10 wine, but pumped up in ripeness and oak treatment. Actually for the price it's a good wine. I think this would challenge many more expensive wines aiming for this style. But in my mind that really points to how overpriced many wines are when they can be easily imitated. If something is fungible, then it is simply a commodity. And this a solid reserve-style commodity wine.

• 2007 Ironstone Vineyards Cabernet Franc Reserve - USA, California, Sierra Foothills, Calaveras County
  
  
  
  Decent wine for drinkin', not thinkin'. Ripe jammy berry nose and flavor with a lot of oak influence (toast, tannin). Does retain some of the Cab Franc herb/cedar. But pretty standard international style wine--could be from Chile, coastal CA, who knows.
  
  

TN: Chateau Aney 2007 Haut Medoc

The Chateau Aney 2007 Haut Medoc is another Kermit Lynch import. If you are familiar with Lynch, you probably know he doesn't import much Bordeaux. The problem being that Bordeaux is a sort of vinous pyramid scheme. Typically an importer cannot purchase direct from the cellar because negociants insure the wine passes through middle men along the way, sometimes several sets. Every penny is squeezed out of buyers along the way.

Cheateau Aney (see Lynch's tech sheet here) is an exception, a Bordeaux producers not tied into the cartel of cynical schemers known as negociants. They make wine, good, elegant, drinkable wine, and sell it at a fair but not cheap price. It certainly drank very well now, though perhaps I am not giving it enough credit for potential. While it is elegant and enjoyable, perhaps the overall balance will bode well for development.

• 2007 Château Aney - France, Bordeaux, Médoc, Haut-Médoc
  
  
  
  Gets better and better with air. Leather, tobacco, black currant and pomegranate. Creamy mouthfeel with medium acidity and mild tannin. Well-structured for near term consumption. Some chocolate and earth on the finish. Savory. Yum.
  
  

TN: Chateau La Roque 2004 Pic St. Loup Cupa Numismae

The Chateau La Roque 2004 Pic St. Loup Cupa Numismae is good. And it cost under $15. What more can you ask for? Based on the lot number printed on the label ending in 11, I'm guessing this wine had been sitting in the producer's cellar since around 2005. Cheap, aged and good. Again, what more can you ask for?!?

Well, it does have nice varietal Syrah and Mourvedre character, plus a silky texture. Every Chateau La Roque wine I've had has been good to excellent. They are a bit modern in style, I'd say, but never lose their grounding in a top terroir in Languedoc. There is a sense of place in an accessible, clean style. Imported by Kermit Lynch.

• 2004 Château La Roque Coteaux du Languedoc Pic St. Loup Cupa Numismae - France, Languedoc Roussillon, Languedoc, Coteaux du Languedoc Pic St. Loup
  
  
  
  Picked up a couple, L1.3.11. Wonder if these came direct from cellar, labeled this year??? At any rate, a nicely evolving S. Rhone blend of Syrah and Mourvedre. Very gamey, bacony nose. Mid-weight on the palate with silky tannins. Lively acidity. Not heavily extracted--perfect mix of fruit, herb and earth. Seems to have some good quality, well-integrated oak. Super QPR for the price!
  
  

TN: Cabot 2006 Humbolt County Syrah Aria's Vineyard

A quick one here--Cabot 2006 Humbolt County Syrah Aria's Vineyard. While this was a delicious, excellent wine that compares well to any region, what really stands out is its AVA. It's from Humboldt County, a region better known for a different cash crop. The lesson: be open minded. There are excellent Syrahs from all over California, even in regions with little reputation for wine growing. Throw this wine in blind with Carneros, Santa Barbara and other temperate to cool regions and it will more than hold its own.

I believe this had a bit of Viognier blended. If so, no doubt this added to the aromatics while rounding out the wine. Others might like their Syrah pure, but I like the feminine edge Syrah gets with a bit of Viognier.

• 2006 Cabot Vineyards Syrah Aria's - USA, California, North Coast, Humboldt County
  
  
  
  Excellent--silky texture with fine tannin and juicy acidity. Very typical Syrah aromas with dark fruit, smoke and bacony goodness. A bit of floral aroma. Round mid-palate, not too fruity, not too earthy, none of the bitterness and excessive smoke of some Syrahs. Finishes clean and long.
  
  

TN: Domaine de la Butte 2005 Bourgueil Mi-Pente

The Domaine de la Butte 2005 Bourgueil Mi-Pente is absolutely awesome wine. While it's undeniably Old World Cab Franc, the structure in some ways reminds me of a high end Nebbiolo. The structure is immense.

Of course, I have to harp on the terroir. This is from the mid-slope (i.e. mi-pente) of a limestone based soil. That's the best exposure of the best soil type in the Loire. And 2005 was an excellent vintage. I suspect this wine can only get better as the structure integrates.

• 2005 Domaine de la Butte Bourgueil Mi-pente - France, Loire Valley, Touraine, Bourgueil
  
  
  
  Whoa, this is great Loire Franc. Only drink this now if you can handle some firm, ripe tannins. Nose of walnuts, menthol, celery, violets and macerated black cherries. High acid, big tannic structure--this is built to age. Very fresh red and black fruit up front, then turns more chalky with a peppery undercurrent. Definite minerality and a pleasant bitterness on the finish.
  
  
  
  Opened up with decanting over several hours--needs about an hour to hit its stride though there's a lot of interesting funk as it opens up to enjoy.
  
  

TN: Foxen 2006 Tinaquiac Vineyard Cabernet Franc

I've been too busy to post recently, but will try to catch up in the next few weeks with a few interesting wines. One of them is the Foxen 2006 Tinaquiac Vineyard Cabernet Franc. The fruit is sourced from a dry-farmed vineyard in Santa Barbara County, or more specifically the Santa Maria Valley AVA. This falls stylistically in with a lot of CA Pinot Noir, which shouldn't be too surprising given the producer's track record with Pinot. Still, the profile is all Cab Franc, and on the earthy side. Didn't seem like a long ager, but it had character.

• 2006 Foxen Cabernet Franc Tinaquaic - USA, California, Central Coast, Santa Maria Valley
  
  
  
  Very Cab Franc in character--not a given in CA Franc. Black cherries and tobacco nose, same flavors. Has a fair amount of oak, but the earthy finish meshes well with it. Plenty of fruit, plenty of earth. Structure about on par with a mid-level Pinot Noir, mild yet not formless. Finishes long.
  
  

Organic isn't what you think it is (maybe)

Organic is NOT pesticide free. In fact, some of the permitted pesticides from a pure chemistry perspective are inorganic. Benzene, ironically, is an organic solvent though it is a carcinogen. The upside is that the list of permitted pesticides is relatively short (see the end of this post), so you know what could have been used. But one would need to consult an expert to tell use the pros and cons of various treatments. Regardless, it bothers me that the lie "organic is pesticide free" is often repeated. Chances are if your food looks delicious, some kind of deterrent to bugs was used. The question is then associated risks, residues and quantity.

I actually like a lot of the same wines the “terroirists” do (and many they don’t), but if I hadn’t come across these wines via other channels, I’d be so turned off by the people supporting them I wouldn’t be interested. Much the way I’m turned off by the attitude of many $100+ Napa Cabs. Wine isn’t an ideology or an art installation; it’s an effin’ drink with good flavor, aroma and yes alcohol.

SO2 and organic are my biggest pet peeve with the “terroirists” because they simply don’t understand what they mean or do. SO2 is vital for microbial stability and scouring byproducts of oxidation. If you can’t assume perfect provenance and aren’t drinking the wine immediately, it is a net good. I suspect “terroirists” often confuse sulfites with sulfides or thiols, i.e. mercaptans. Scientific illiteracy is a dangerous thing in the hands of a ideologically bent idiot.

As for organic, I’m sure most “terroirists” are unaware that Copper Sulfate (gasp, an inorganic chemical) and elemental Sulfur are permitted as anti-fungal agents in USDA organic as well as European organic and biodynamic viticulture. Yet if you put SO2 in the finished wine, it is a crime. If an ideology lacks internal consistency, it fails. Talk about a failure: organic does not mean pesticide or fungicide free. It only limits the options to a specific list of traditional treatments.

Below is an excerpt from USDA regulations. I've bolded the section on plant disease control.

205.601 Synthetic substances allowed for use in organic crop production

In accordance with restrictions specified in this section, the following synthetic substances may be used in organic crop production: Provided, That, use of such substances do not contribute to contamination of crops, soil, or water. Substances allowed by this section, except disinfectants and sanitizers in paragraph (a) and those substances in paragraphs (c), (j), (k), and (l) of this section, may only be used when the provisions set forth in 205.206(a) through (d) prove insufficient to prevent or control the target pest.

(a) As algicide, disinfectants, and sanitizer, including irrigation system cleaning systems.
(1) Alcohols.
(i) Ethanol.
(ii) Isopropanol.
(2) Chlorine materials— Except, That, residual chlorine levels in the water shall not exceed the maximum residual disinfectant limit under the Safe Drinking Water Act.
(i) Calcium hypochlorite.
(ii) Chlorine dioxide.
(iii) Sodium hypochlorite.
(3) Copper sulfate—for use as an algicide in aquatic rice systems, is limited to one application per field during any 24-month period. Application rates are limited to those which do not increase baseline soil test values for copper over a timeframe agreed upon by the producer and accredited certifying agent.
(4) Hydrogen peroxide.
(5) Ozone gas—for use as an irrigation system cleaner only.
(6) Peracetic acid—for use in disinfecting equipment, seed, and asexually propagated planting material.
(7) Soap-based algicide/demossers.

(b) As herbicides, weed barriers, as applicable.
(1) Herbicides, soap-based—for use in farmstead maintenance (roadways, ditches, right of ways, building perimeters) and ornamental crops.
(2) Mulches.
(i) Newspaper or other recycled paper, without glossy or colored inks.
(ii) Plastic mulch and covers (petroleum-based other than polyvinyl chloride (PVC)).

(c) As compost feedstocks—Newspapers or other recycled paper, without glossy or colored inks.

(d) As animal repellents—Soaps, ammonium—for use as a large animal repellant only, no contact with soil or edible portion of crop.
(e) As insecticides (including acaricides or mite control).
(1) Ammonium carbonate—for use as bait in insect traps only, no direct contact with crop or soil.
(2) Boric acid—structural pest control, no direct contact with organic food or crops.
(3) Copper sulfate—for use as tadpole shrimp control in aquatic rice production, is limited to one application per field during any 24-month period. Application rates are limited to levels which do not increase baseline soil test values for copper over a timeframe agreed upon by the producer and accredited certifying agent.
(4) Elemental sulfur.
(5) Lime sulfur—including calcium polysulfide.
(6) Oils, horticultural—narrow range oils as dormant, suffocating, and summer oils.
(7) Soaps, insecticidal.
(8) Sticky traps/barriers.
(9) Sucrose octanoate esters (CAS #s—42922–74–7; 58064–47–4)—in accordance with approved labeling.

(f) As insect management. Pheromones.
(g) As rodenticides.
(1) Sulfur dioxide—underground rodent control only (smoke bombs).
(2) Vitamin D3.

(h) As slug or snail bait. Ferric phosphate (CAS # 10045–86–0).

(i) As plant disease control.
(1) Coppers, fixed—copper hydroxide, copper oxide, copper oxychloride, includes products exempted from EPA tolerance, Provided, That, copper-based materials must be used in a manner that minimizes accumulation in the soil and shall not be used as herbicides.
(2) Copper sulfate—Substance must be used in a manner that minimizes accumulation of copper in the soil. 3
(3) Hydrated lime.
(4) Hydrogen peroxide.
(5) Lime sulfur.
(6) Oils, horticultural, narrow range oils as dormant, suffocating, and summer oils.
(7) Peracetic acid—for use to control fire blight bacteria.
(8) Potassium bicarbonate.
(9) Elemental sulfur.
(10) Streptomycin, for fire blight control in apples and pears only.
(11) Tetracycline (oxytetracycline calcium complex), for fire blight control only.

(j) As plant or soil amendments.
(1) Aquatic plant extracts (other than hydrolyzed)—Extraction process is limited to the use of potassium hydroxide or sodium hydroxide; solvent amount used is limited to that amount necessary for extraction.
(2) Elemental sulfur.
(3) Humic acids—naturally occurring deposits, water and alkali extracts only.
(4) Lignin sulfonate—chelating agent, dust suppressant, floatation agent.
(5) Magnesium sulfate—allowed with a documented soil deficiency.
(6) Micronutrients—not to be used as a defoliant, herbicide, or desiccant. Those made from nitrates or chlorides are not allowed. Soil deficiency must be documented by testing.
(i) Soluble boron products.
(ii) Sulfates, carbonates, oxides, or silicates of zinc, copper, iron, manganese, molybdenum, selenium, and cobalt.
(7) Liquid fish products—can be pH adjusted with sulfuric, citric or phosphoric acid. The amount of acid used shall not exceed the minimum needed to lower the pH to 3.5.
(8) Vitamins, B1, C, and E.

(k) As plant growth regulators. Ethylene gas—for regulation of pineapple flowering.
(l) As floating agents in postharvest handling.
(1) Lignin sulfonate.
(2) Sodium silicate—for tree fruit and fiber processing.

(m) As synthetic inert ingredients as classified by the Environmental Protection Agency (EPA), for use with nonsynthetic substances or synthetic substances listed in this section and used as an active pesticide ingredient in accordance with any limitations on the use of such substances.
(1) EPA List 4—Inerts of Minimal Concern.
(2) EPA List 3—Inerts of Unknown Toxicity allowed:
(i) Glycerine Oleate (Glycerol monooleate) (CAS #s 37220–82–9)—for use only until December 31, 2006.
(ii) Inerts used in passive pheromone dispensers.
(n) Seed preparations. Hydrogen chloride (CAS # 7647–01–0)—for delinting cotton seed for planting.

TN: Château La Gaffelière 1996 St. Emilion 1er Grand Cru Classe

I'm trying to figure what I'm missing in the Château La Gaffelière 1996 St. Emilion 1er Grand Cru Classe. There's nothing here that I can't find in a middle of the road Loire red from a warmer vintage, though this is mostly Merlot with Cab Franc and Cab Sauv as blenders. Yet this is more expensive, and significantly older than most of what I drink. The balance is fine--it's just not that interesting to drink and is aromatically challenged.

I guess I expected a bit more from a wine just a rung below Ausone and Cheval Blanc in classification. Despite the fact that it has aged well--it's not dried out, tired or oxidized--it's simply underwhelming.

• 1996 Château La Gaffelière - France, Bordeaux, Libournais, St. Émilion Grand Cru
  
  
  Kind of perplexing--this is what aged 1er Grand Cru Classe is supposed to be? True, this is not tired, oxidized or otherwise past it. It's just very middle of the road. Tight nose of band-aid and cherry. Medicinal cherry flavors with a metallic aftertaste. Tannins are well resolved, acidity is medium. Not bad, but not exciting either.
  
  

Clos Pepe, Cold Heaven and Longoria

CLOS PEPE, COLD HEAVEN AND LONGORIA - Santa Ynez Valley

Since we were due to pick up our first Longoria shipment of the year, we decided to make a full day out of the trip to Los Olivos. At first we were thinking about heading to the beginning of Foxen, but at Larry Shaffer's (of Tercero and Fess Parker) suggestion we scheduled a tour at Clos Pepe, then worked back towards Los Olivos.

Clos Pepe Vineyard

Bar none, this was the most interesting, thorough and hospitable vineyard tour and tasting I've had the chance to enjoy. Wes Hagen, winemaker and grower at Clos Pepe, leads the tour and is a fountain of information. Tours are only given once a day, at 10:30 AM, and for good reason: it's thorough. We started off with a quick introduction to the sheep, dogs and even chickens on the estate. The sheep are used to mow down the cover crop between rows, which is important for nitrogen fixation. To protect the sheep, a mastiff stands guard against any intruders such as coyotes.

Next we moved onto a brief tutorial on pruning and general background on the vineyard. The vines are cordon trained, meaning there is a permanent, lignified, thick piece of vine running horizontally. The previous vintage's canes are then clipped down to the cordon leaving behind only a spur with a bud on it. On each cordon there are about five spurs, and each vine had two cordons. The vineyard as a whole is oriented with rows running from north to south. Wes Hagen commented that while in the Old World south-facing vines are more typical to encourage ripeness, in California there is ample sunshine. Thus the orientation is chosen to limit exposure such that the fruit can hang longer before it reaches sugar maturity. Wes joked that whenever he comes back from France, he has to forget everything he learns about viticulture. Of course, there was mention of the transverse (east-west running) mountain range due to the peculiar tectonic action in this corner of the world as well the the diatomaceous earth that provides the soil with silica and calcium.

The tasting took place in the Pepe's home--incredible hospitality if you ask me. Wes provided a cheese course--Gouda, (real) Cheddar, Camembert and goat cheese--along with the five wines. Notes are below. All the while Wes provided commentary on a variety of topics. On sulfites, he noted you can't fear them as a winemaker. And while Clos Pepe is farmed organically, he had strong words along the lines of "organic is BS" in terms of the organic movements as a whole. For him it appears organic farming is a means to an end--better wine. But it's not reasonable in his mind to demand all types of farming pursue organic techniques at this point. He also suggested that often it's good to let go as a wine drinker. Geek out when appropriate, but just enjoy it otherwise: "drink like a 5 year old." Another nugget was wine is a craft, not art, like making a chair. This was one of those times where it was great just to sit back and absorb while listening to a very entertaining and informative lecture.

The tour and tasting wrapped up at about 1 PM.

• 2009 Clos Pepe Estate Chardonnay Barrel Fermented - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Very fresh, citrus and white stone fruits. Clean (precise), dry with a long finish. Minerality. Pears on the nose. Took a few minutes to open up--sulfites blowing off, perhaps?
  
  Fermented in neutral oak, goes through ML and aged on lees. But also has rippin good acidity. I love this style that gets the body and richness with balancing acidity and light-handed oak influence.


• 2009 Clos Pepe Estate Pinot Noir - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Primary, but open. Plummy, red fruits, perfumed, sage. Some smokey flavor, integrated structure. Complete wine--beginning, middle and end--long finish. Tightly wound at present, though showing well.


• 2007 Clos Pepe Estate Pinot Noir - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Cherry jam, spice, sage and ginger on the nose. More open than 2009. Structured with integrated oak. Pretty ripe on nose and by flavor, though not heavily extracted or alcoholic.
  
  Wes Hagen suggested 3-4 years further aging to bring out earthier characteristics.


• 2006 Clos Pepe Estate Pinot Noir - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Favorite of tasting--seems to be at a really good spot right now. Earthy, mushroom, truffle, floral (rose) and mild spice. Good acidity and core of fruit. Integrated structure, fine tannin.
  
  Interesting to compare to the '06 Ojai Clos Pepe tasted a few months ago. The Ojai had a more extracted, baked fruit quality to my palate. Supposedly Ojai's was all Pommard clones, but I'm not sure if it was harvested later or treated differently otherwise.


• 2008 Axis Mundi Syrah Sleepy Hollow Vineyard - USA, California, Central Coast, Santa Lucia Highlands
  
  Meaty/bacon aromas, lavender, round fruit and zippy acidity. Very fruit-driven wine. Tannins not noted, but acidity gives it balance.

Cold Heaven

After the atypically long and interesting tour and tasting--plus lunch by the pond in Clos Pepe's vineyard--the Cold Heaven tasting was a more typical format. However, the wines are anything but typical. Cold Heaven's tasting room is a tasting bar at the front of their winery in Buellton. And by winery, I mean utilitarian space in a small industrial park. Exactly my style!

While Cold Heaven is best known for its Viognier from a variety of SBC vineyards (Le Bon Climat, Sanford and Benedict, Curtis and formerly Vogelzang), Morgan Clendenen's collaborative efforts with Condrieu vintner Yves Cuilleron and the remarkable Syrah should not be missed. Jeb Dunnick's Rhone Report totally nails it when it comes to Cold Heaven's wines, IMO. I'm just a 2nd assenting opinion here. If you like Syrah in a lower octane mold, this is the one to pursue. The 2004 is pretty funky, though, in an old world farmyard sense. The 2003 and 2005 are more spicy, floral and garrigue-laden with a core of fresh fruit.

• 2008 Cold Heaven Sauvignon Blanc Strangelove - USA, California, Central Coast
  
  Peaches on the nose, fresh, high acid mouth watering sort of wine. Grapefruit pith on the finish. 50% stainless, 50% neutral oak.


• 2008 Cold Heaven Viognier Le Bon Climat Santa Barbara County - USA, California, Central Coast, Santa Barbara County
  
  Continues to be favorite in Cold Heaven Viognier lineup. Perfumed, honeysuckle, great balance, medium body with med/high acidity. Combines the honeyed aromatics with unreal freshness and precision. Finishes with a bit of pith. World class stuff, IMO.


• 2009 Cold Heaven Viognier - USA, California, Central Coast, Santa Ynez Valley
  
  Bigger bodied, lower acidity than Le Bon Climat--from Curtis Vineyard in warmer heart of the Santa Ynez Valley. Floral, spicey and a notion of toast--maybe some SO2? Solid wine, just isn't as racy as the Le Bon Climat.


• 2007 Domaine des 2 Mondes Viognier Saints and Sinners Sanford & Benedict - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Floral, broadly textured yet finely woven, big, serious and tropical. This is the Viognier if you like Cali style Chardonnay--it's a white wine for red wine drinkers. But it is not overly oaky or toasty, just creamy, and the acidity is really lively underneath it all.


• 2004 Cold Heaven Syrah Second Sin Santa Barbara County - USA, California, Central Coast, Santa Barbara County
  
  Smelling this immediately takes me to France--leathery/horsey aromas, earthy, tar and herbs. The palate is lively with good fruit and tannin. Definitely of a certain style, let's say just a wee bit Bretty. I suspect if poured side by side with some expensive French N. Rhone Syrahs or S. Rhone CdP it would more than hold its own due to the funk. Alas, I'm looking for something a bit cleaner from CA Syrah.


• 2005 Cold Heaven Syrah Second Sin Santa Barbara County - USA, California, Central Coast, Santa Barbara County
  
  The Syrah counterpart to the great Le Bon Climat Viognier. Very similar to the '03 vintage which was flat out one of the best Syrahs I've tasted. Elegantly styled, more fruit driven than the '04. Perfumed with spice and pepper. Firm tannin, lively acidity, creamy texture. Cold Heaven is known as a Viognier house, but the Syrahs are a hidden gem. 13.6% ABV, by the way, and not at all underripe in flavor.

Longoria Wines

This is our only wine club (or mailing list). The commitment is minimal--8 bottles per year--and we get to participate in the various open houses and special events. Plus, the wine is uniformly good to great. Definitely of the fruit-forward style, but with plenty of structure and acidity for larger framed wines. The Pinots are my favorites, and that's the overall consensus as well. Just another bandwagon for me to joyfully hop on, I suppose!

Richard Longoria is pretty old school. He's one of the originals in Santa Barbara County of the same generation as Jim Clendenen, Adam Tolmach and Richard Sanford. He's also very proud to have learned under Andre Tchelistcheff early in his career. But he's a quiet, unassuming sort of vintner, so he tends to fly under the radar, especially with the rapid growth in the post-Sideways era.

• 2009 Longoria Pinot Grigio - USA, California, Central Coast, Santa Barbara County
  
  See previous note. Varietally on-target, and priced fairly. One for sipping on a hot day or with the right food pairing.


• 2009 Longoria Pink Wine Cuvee June - USA, California, Central Coast, Santa Barbara County
  
  Same experience as with my previous note. Watermelon and strawberry. But doesn't have the gum numbing acidity I look for in a rosé. Plenty of juicy fruit, just feels a little flat to my taste.


• 2008 Longoria Pinot Noir Rancho Santa Rosa - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Loved the '07 vintage of this cuvee; this is just as good. A bit more acidic and lighter in weight with cranberry and cherry flavors. Mushrooms on the nose. Medium body, fresh, structured with fine tannin.


• 2007 Longoria Pinot Noir Fe Ciega Vineyard - USA, California, Central Coast, Santa Rita Hills - Sta. Rita Hills
  
  Seems to be opening up. Shows mushroom and a definite spiciness. Full bodied and rich. Complex with firm structure. Plenty of fruit here, but not showing the baked edge to it I found in the '06. This looks like it'll get really good soon.


• 2008 Longoria Tempranillo Clover Creek Vineyard Santa Ynez Valley - USA, California, Central Coast, Santa Ynez Valley
  
  Big ripe fruit, but also tannic and tightly structured. This needs several years to unwind.


• 2007 Longoria Syrah Alisos Vineyard - USA, California, Central Coast, Santa Barbara County
  
  Huge structure! Tannic and acidic with dark fruit (berry, cassis) and complexing pepper and licorice aromas. Alisos isn't a truly cool climate vineyard, but isn't hot, either--this sits in that middle ground between the two poles. Big and ripe, yet structured and savory. Needs 3-5 years to unwind, I'd wager. Sometimes this bottling has a slightly porty feel to it; this is really chiseled. 6.9 g/L TA, 3.57 pH, 15.1% ABV.


• 2009 Longoria Albariño Beso del Sol Clover Creek Vineyard - USA, California, Central Coast, Santa Ynez Valley
  
  Delicious dessert wine with honeyed aromatics. The real quality here is lively acidity with a lighter texture than a typical sticky. 11.9% ABV, 12% RS (~120 g/L RS) and 6.6 g/L TA with 3.36 pH. Apparently the result of a heat spike roasting the fruit, but only enough so that it raisined a bit then developed with further hang time. A fortuitous accident of nature it seems, and just the sort of dessert wine I like.

All in all, a great day in the valley. I'll miss it when we move!

Is this s--- for real: great moments in uninteded self-parody

Is this for real? Sadly, the answer is yes. For every genuine enthusiast (who also runs a huge wine shop) like Gary Vaynerchuck or analytical scientist like Jamie Goode, there are about a dozen of the type of people in the wine world who I'll be bashing in the rest of this post.

Probably one of the top bullshit artists in the world of wine right now is James Suckling. Pretension in fine wine is unavoidable on some level. But Suckling oozes pretension. If he was a slug, that sticky trail he leaves behind would be pretension distillate. Watch and learn in these two videos as Suckling gives a master class in egotism, stuffiness and, yes, unbearable pretentiousness:

I'm 99 points on not wanting to hear another damn over-enunciated word out of Suckling's mouth ever again.

Of course, making obnoxious videos is not the only way to ruin wine for the general public. You can always write a note with so many descriptors it ceases to have meaning. Now, I like to both read and write thorough notes. But they have to actually contain, you know, information. Words describing body, acidity, tannin, flavor intensity, style--primarily structural descriptors--are very useful. A few specific flavors can be of help, but at a certain point it is not telling you anything other than the author is full of shit. Take this example from a person who calls himself the Sonoma Sommelier:

Anaba 2007 “Coriol” Red Rhone Blend: "a wine that delivers . . . . flavors of acai berries, black currant liqueur, fig bar, tamarind, raspberry bramble, red plum, balsamic strawberries, clove, rose water, cigar box, barnyard, teriyaki, stone, apricot, coriander, butterscotch, hazelnut chocolates, brown leather and Columbian coffee beans."

The enological diarrhea is even more exaggerated in this example:

VJB 2007 Estate Aglianico: "It has both Sonoma Valley and Italian flavors of wild red currants, red licorice twist, raspberry Pimms Cup, red apple skins, barnyard game, suede leather, rhubarb pie, baked red plum, star anise, sage, rosemary brush, guava candies, roasted portobello mushrooms, hibiscus flower, passion fruit puree, lavender, tomatoes on the vine, paprika, horehound candy, sea salt, nori sheets, cappuccino froth, molasses, nutmeg and Connecticut cigar wrapper."

Stop, just please stop, Sonoma Somm!

To his credit, the first sentence or two in both reviews I linked does tell you much of what you'd want to know structurally about the wines, albeit in an annoyingly literary style. But after that, it's just self indulgent garbage. If you tried these wines, you'd never find that many flavors in a single taste. You know why? Because humans can only differentiate a few aromas at a time, and most of what we perceive as taste is really retronasal olfaction.

How this sort of criticism became the norm, I do not know. No, actually, I do know. This variety of sewer feces appeals to people with lots of money but no common sense or knowledge of wine. Why learn about where the wine comes from and how it's made when you can just hear a point score and a bunch of fancy sounding adjectives? It's the easy way out--instant validation.

TN: Tablas Creek 2005 Paso Robles Syrah

Here's another Tablas Creek from the local grocery store close-out, the Tablas Creek 2005 Paso Robles Syrah. Definitely this drinks like a warmer climate Syrah--lots of blueberry, and not much herb or meat nuance. But I love the firmness of the structure. A lot of Syrahs of this ripeness level seem to turn into pure fruit bombs or get over-extracted in a way that muddies flavors. This one has a pure expression of its region. I think cool climate is still where it's at for complexity, but this is a wine that makes a compelling argument for the pure range of Syrah when handled by a top producer.

• 2005 Tablas Creek Syrah - USA, California, Central Coast, Paso Robles
  
  
  
  Blueberry and cassis with a little Syrah funk and spice on the nose. Definitely in the riper styled mold. Big, round blueberry and plum flavors. Iron minerality. Finishes long with spice and drying tannin. While this is fruit-driven edging towards dried fruit, there is very serious structure. Acidity adds some refreshment. I feel like the tannins should resolve further, but the fruit character might move towards the less fresh variety. Tough call to drink or age. This has a lot of character and a unique backbone for a warmer climate Syrah; not so heavily extracted it tastes dirty, nor is it melted and syrupy. It's an old fashioned teeth stainer, not a mouth coater.
  
  

TN: Eroica 2005 Columbia Valley Riesling

Why don't I drink more Riesling? It's often inexpensive, versatile and delicious. The Eroica 2005 Columbia Valley Riesling was all this and more--I found it on closeout for $7 (cheap!) instead of its suggested retail of $20 (not cheap!). Anyway, this was impressive. It was off-dry, but had great balancing acidity. Plus, there was that diesel/petrol aroma that makes Riesling so unique, and in this wine it was complexing, not dominant.

Who knew a 5 year old Riesling from a grocery store (I doubt they treat the wine carefully) would deliver so nicely? I guess that's why Riesling is one of the most age-worthy wines in the world--takes a lickin and keeps on tickin. The store had some '06s and '07s, but someone bought those out before I could return.

• 2005 Chateau Ste. Michelle & Dr. Loosen Riesling Eroica - USA, Washington, Columbia Valley
  
  
  
  At first found the sweetness forward, but cooled it off a bit and this is a beauty. Diesel, lychee and lime aromas. Dried peach/apricot flavors with off-dryness up front followed by great sustaining freshness on the finish. Acid-sugar balance here is really nice. A little peach pit at the end as well. Very easy-going style that should be versatile with sweet and/or spicy foods.
  
  
  
  Picked this up on closeout at a grocery store--not exactly the best sign for provenance. Quite impressed this is so fresh given dubious storage, especially with the price being what it was . . . .
  
  

Parker Drops a Bomb: Galloni Taking a Bigger Role at WA

Robert Parker unleashed an epic press release this weekend (see the email published on Vinography). He is no longer personally reviewing California wine; instead Antonio Galloni will be taking up that role at The Wine Advocate. Galloni will also be covering the heart of Burgundy, taking over that gig from David Schildknecht, who will still retain responsibilities for Beaujolais, Macon and the Loire as well as Germany, Austria and the Eastern US. Champagne also goes to Galloni.

Parker has been expanding the roles of his contractors for some years now. But this is a more surprising move than any previous. Parker will continue to review Bordeaux and the Rhone, which are historically his favorite regions. However, California has been perhaps the most dependent upon his reviews. Parker has made quite a few wineries in California with his scores, and arguably has driven the popular style in the state more than any other person.

Galloni built his reputation by reviewing northern Italy in The Piedmont Report. In other words, he is a Nebbiolo nut. He is no stranger to acidity and overpowering tannin. If he retains this preference while reviewing California wines, producers pursuing the soft, melted style of wine may need to refocus their approach. (Parker is no stranger to heavy tannin, either, but he seemed to really enjoy the rich mouth-coating sort as opposed to the tougher astringent tannin Nebbiolo produces.) I'm also curious to see what this means for Cal-Ital producers. Will Galloni judge them harshly for not replicating Italy? Or will he promote them as a variation on an ever-evolving theme?