Thursday, December 9, 2010

What's wrong with sweet wines?

What's wrong with sweet wines? Nothing, according to Master of Wine Tim Hanni. Hanni and Virginia Utermohlen recently published a report titled Beverage Preferences, Attitudes, & Behavior of ‘Sweet’ vs. 'Tolerant’ Wine Consumers (a PDF version of the report with their conclusions is available in this link) based upon the results of an online survey. In this report respondents are separated into four distinct taste preference groups: sweet, sensitive, hyper-sensitive, and tolerant. These classifications bear more than a passing resemblance to the concept of super-tasters and the separation of individuals into super-tasters, tasters, and non-tasters.

Most of the focus of the study is on the dichotomy between "sweet" and "tolerant" consumers. "Sweet" tasters prefer fruitier wines with residual sugar, and tend to be younger and female. "Tolerant" tasters prefer powerful if not bitter, astringent wines, and tend to be older and male. In fact, the description of the "tolerant" taster seems to match the stereotype of an older guy who's a wine snob and shops by point ratings. According to Hanni and Utermohlen's conclusions, "sweet" tasters are very sensitive to non-sweet flavors like bitterness thus need residual sugar to offset these flavors, while "tolerant" tasters have a high sensitivity threshold for bitterness, astringency and the burn of high alcohol.

I can certainly identify with the issues related to "tolerant" tasters dominating the world of fine wine criticism. Older male critics like Parker and Miller seemingly will tolerate any level of extraction and oak, and favor raw intensity and power over other more delicate expressions. It is clear the "tolerant" taster is understood to have learned some of his preferences given that it is stated the language for marketing wines to him is "point ratings, complex, bold, intense." Knowledge of point ratings implies the "tolerant" taster reads or follows some critics like Parker or magazines like Wine Spectator. Thus, this group clearly is not basing its interests solely upon intrinsic tastes, but upon learned preferences as well.

Yet the "sweet" taster is defined in such a manner that it appears he buys wine based solely upon his own taste with little regard to external influence. The "sweet" taster seems to have less education about wine, which undoubtedly influences taste preference. At the same time, though, cultural influence from the prevalence of highly sweetened processed foods and soft drinks in the US is not discussed in the report. My hypothesis is that much of the preference for very sweet foods and beverages results from conditioning. While individuals are less or more sensitive to bitterness according to the results in this report, it is also likely they may be less or more sensitive to sweetness. Hanni and Utermohlen argue "sweet" tasters are more sensitive to bitterness, acidity and astringency, but I suspect that it's just as prevalent that they are less sensitive to sweetness.

The report ultimately seems focused on how to sell wine to "sweet" tasters in the most expedient fashion. It even suggests that "sweet" tasters are under-served by the wine industry. I disagree with this conclusion. Walk into a grocery store and pick a random wine off the shelf. Typically you will find a fruity, slightly sweet, often vanillified wine with low acidity and very little tannin. This is precisely the type of wine that appeals to the "sweet" drinker based on Hanni and Utermohlen's definition of this classification. In fact, by volume most of the wine produced in the US seems to be targeted towards the "sweet" consumer.

Moreover, I disagree that "sweet" consumers cannot or should not expand their horizons as wine drinkers (not to mention food eaters). In some sense "tolerant" tasters are over-educated, while "sweet" tasters are under-educated. While individuals should ultimately buy what they like, it's important to understand that a Nebbiolo by nature tends to be tannic and Sangiovese by nature tends to be acidic, for example, and wine that isn't manufactured as a processed food varies from vintage to vintage. Wine appreciation is a synthesis of both personal preference and understanding of regional, varietal and vintage expression. I personally love sweet foods like fresh fruit, candy and chocolates, but also understand that these flavors don't necessarily belong in every wine.

Returning to the original question, I agree with Tim Hanni that there is nothing wrong with sweet wines or "sweet" tasters. In fact, many sweet wines like Sauternes, Port, demi-sec Vouvray and late harvest Riesling are considered among the most noble, long-lived and great wines in the world. The key here is to educate "sweet" wine consumers that these are unique wines because of their production methods, aging capacity and complexity. While there is a certain stigma attached to a preference for sweet wine, the generic White Zinfandels and sweet Muscats that sweet wine drinkers regularly purchase are treated quite justifiably as ordinary wines. They're the vinous analog to McDonald's: rich in certain pleasing flavors, be it sugar or fat, but otherwise simple manufactured consumables.

I was once there, too. Some years ago I liked something called Mattie's Perch Shiraz purely because it "went down smooth." I haven't tried it recently, but my guess is that it would be mild in acid and tannins, fruity and a bit sweet in the terms I'd use now. To look at this from a slightly different angle, I'd argue wine is about both hedonic and aesthetic appreciation. We all understand and seek hedonic enjoyment from birth, but aesthetic context must be developed. This is no different than learning about any craft, from film, to music, to sculpture, to architecture. In the social media saturated world once can click the "I like this" next to anything. Mattie's Perch was worthy of an "I like" back in the aughts. But that preference was quite separate from understanding context and this brand's place in the big picture.

Tuesday, December 7, 2010

A Day Trip to Amador County: Part II

The second stop on our visit to Amador County was Noceto, conveniently located just around the corner from Terre Rouge/Easton. Other than a rather pedestrian and semi-sweet Pinot Grigio, this was a great stop as well. These folks are Sangiovese specialists covering the full spectrum from modestly-priced table wine up to single vineyard bottlings. While I did go through the full lineup of single vineyards, the tasting was rather rapid fire and from small glasses. So it's probably not worth trying to differentiate from my notes, though they all had specific character and tended to be more rounded than the "normale" Sangiovese. I liked their 2008 Nutz! ($12), a Barbera-Sangiovese table wine, the 2008 Sangiovese ($18) and the 2007 Riserva Sangiovese ($20, normally $24) most given the price points. All had the acidity and leathery character I expect from Sangio, with darker and more rounded fruit moving up in price. Their 2007 OGP Zin, from the Original Grandpère Vineyard planted in 1869, was my favorite of the trip. Dark and big, yes, but also spicy and peppery with sufficient lift. The Vernaccia (dry, with melon, pineapple and minerality) and Mistura (a dark blend of Alicante, Syrah, Petite Sirah and port varieties) were also excellent. Really nice values here as well as the sub-$20 wines were spot on as pairings for pizza and pasta, not just the funky and/or flabby leftovers that didn't fit anywhere else. Probably more varietal character here than compared to Central Coast Sangios, and cheaper, too. Another producer that started in the 80s, still going strong.

Morse/Il Gioiello was up next. It's a drive out a good ways on narrow, patched up roads, but oddly enough it is gated, has a bocce court, and appears to be thoroughly modern including a Tuscan-styled tasting room. Maybe it was just the power of suggestion, but the wines here seemed to be more fruit-driven with more obvious oak, slicker and more modern in a New World mold. Definitely reminded me more of what I find towards Santa Barbera in terms of Italian and Rhone varieties. Instead of the attractive, precise rusticity and character of Terre Rouge and Noceto, these are highly polished wines. I was most pleased with the 2007 Mourvedre which still showed lots of its feral and tannic character. I suppose the Shenandoah Valley works quite well for this variety. The various other wines--Barbera, Sangiovese, Cabernet, Viognier, Zin, Montepulciano--were good, sound wines at fair prices ($20-$30), just more jammy than I like when it comes to expressing varietal and vineyard character.

The last stop was Karly, largely a Zin producer. I'm not a big Zin fan, and several of their wines epitomized the style I just can't understand. One was all raisins. Another was certifiably sweet and roasted, though it seems that was intentional. One was more spicy, though, so one out of three ain't too bad. Their 2008 Mourvedre, named "El Alacran" (The Scorpion), was good fun, however. Definitely unfined and unfiltered, it's a cloudy purple-red in color and a chewy mouthful of ripe Mourvedre character (albeit $35). Their Marsanne was oxidized and volatile, while the Sauvignon Blanc was candy-sweet, which I struggled to wrap my head around. My guess is they sell to less European-influenced palates, hence the cloying sweetness and uber-ripe fruit in certain wines. But it makes it very hit or miss even if you just want a (reasonably) dry New World styled wine.

All-in-all, a nice 4 hours in a different wine country. Much more down to earth than most wine regions without the insulting stratospheric pricing. Terre Rouge's Rhone varietals were among the very best I've tasted from California, yet were priced very reasonably given that most had a bit of age on them. Same story for Noceto, except younger wines based mostly on Sangiovese. I was not expecting as much old world influence in a region known for big, ripe Zins. I'd bet though more producers are like Karly, while Terre Rouge and Noceto are the outliers. Given the style and pricing, I'd be tempted to join Terre Rouge and Noceto's wine clubs if I lived in driving distance.

Monday, December 6, 2010

A Day Trip to Amador County: Part I

While visiting my girlfriend's family in Davis, California, we took a day trip to Amador County--or alternately the California Shenandoah Valley--to visit a few wineries. Davis is about equal distances from Napa City and Plymouth, but the price differential made the choice pretty easy. Tasting is apparently free everywhere in Amador, and it seemed each winery went through nearly a dozen wines. Napa seems to run $15-$30 just to taste several wines. I'm accustomed to the relatively high prices for tasting in Santa Barbara, usually around $8-$12 to sample a producer's portfolio. But going much higher is a bit too "price gougey" for my taste. Amador fit the bill for a budget-friendly afternoon.

The Shenandoah Valley is perhaps known best for its old vine Zinfandels, with some vineyards dating back to the pre-Prohibition era and beyond. The regions sits at the base of Sierra Nevada mountains, hence the broader designation of the region encompassing Amador, El Dorado and Calaveras as the Sierra Foothills. Although this is a warm region, likely a Region III on the Davis heat summation scale, producers tout the variety of soils and elevations at their disposal. This isn't a region for light acidic wines, but the diversity of vineyard sites appears to allow for an interesting mix of warm-climate grapes to be grown. Heat is an important part of the picture, but it's not the only the part.

I actually was not all that surprised to find a handful of noteworthy wines. Those poured at Terre Rouge/Easton were especially good. Terre Rouge is the brand used for the producer's Rhone-style wines, while Easton covers other bottlings like Cabs, Zins and Barberas. When I say Rhone-style, I definitely mean it. I'm used to the ultra-ripe, melted style of Rhone varietals from Santa Barbara and Paso Robles. Terre Rouge tastes like it came from the Old World. Their current GMS blend, the 2007 L'Autre, is a dead ringer for a cru-level Rhone if not a Chateauneuf du Pape. Red fruit, garrigue, meat, earth and heavy tannins all point to an Old World wine. Their 2004 Mourvedre--also the current release--is gamy with tar, herbs, pepper and firm tannins, like a clean Bandol. The only potential concern might be that most of the wines are very tannic, perhaps to the point that the tannins outlive the other components of the wine. But many of their wines are released with some age, so that helps bring the style into better focus. If you like earthy, structured wines that should be long-lived, this is the place for you. I also enjoyed their 2006 Barbera, which is less structured, but more polished. The Syrahs are quite good as well, though it seems we visited only a couple of the many versions they produce. Their Zins were the only disappointment since I found them tipped a bit to the raisiny side instead of the spicy, peppery side. Prices were very good values in the $15-$30 range. In terms of pricing and overall quality, this blows away the vast majority of Central Coast producers. There's a reason why a producer who began in the mid-80s is still going strong today.

Notes from the rest of the visit will post tomorrow.

Saturday, December 4, 2010

TN: Villa Medoro 2006 Montepulciano d'Abruzzo

The Villa Medoro 2006 Montepulciano d'Abruzzo is just a fastball right down the middle. Dark, ripe, chewy and acidic. Sort of like the Chinon in my last entry, this isn't the sort of wine you ruminate over. It exists to be consumed with any kind of hearty food. To use another sports analogy, where many wines try to be Terrell Owens and simply come off brash and shrill, this is the right tackle who quietly goes about pancaking ends and linebackers while everyone watches the tailback sail by untouched.

Unlike the Chinon in my last entry, this wine is a good deal chunkier and more rustic. It's hard to explain how or why, but it has character. At this $15-$20 price level, that surprisingly hard to find. My only complaint is the rubber cork--please, please just use a Stelvin closure to prevent oxidation!
  • 2006 Villa Medoro Montepulciano d'Abruzzo - Italy, Abruzzi, Montepulciano d'Abruzzo

    Synthetic cork. Chunky, chewy mouthful of wine. Rustic in the best way. Cherry jam, barnyard and basil aromas. Full bodied, yet dry with good acid. Earthy and leathery on the finish. Really good, not elegant, just honest. Pasta and pizza wine.

Thursday, December 2, 2010

WN: Domaine de Pallus 2006 Chinon Les Pensées de Pallus

Usually I'm a big fan of Chinons, but the Domaine de Pallus 2006 Chinon Les Pensées de Pallus fell victim to my high expectations. It's actually a pretty good wine all things considered--varietally correct and balanced. It isn't spoofy or overly slick, either. It's just missing some kind of lift. Supposedly this is a more "modern" producer. I guess I should stick with the old school ones.

While I often think the whole "natural wine" concept is overwrought and turned into a sort of quasi-religion, I do think the minimal intervention approach works really well in the Loire. The fruit just seems more conducive to letting nature take its course. My gut feeling is that the high acid, low sugar grapes from the Loire just tend to go more in an interesting, but not undrinkable direction than is the case with low acid, high sugar grapes from, say, California when allowed to ferment spontaneously. What the wines may not have in richness, they have in complexity as a result. I've definitely had a few Chinons that drink like a meal as they have fruit, veggies, acidity and savory flavors.

This wine seems like it's been made very cleanly just to emphasize fruit. That's fine, but for around $20 I kind of expect things to starting getting weird and wooly, especially from a wine billed as the producer's top cuvée.
  • 2006 Domaine de Pallus Chinon Les Pensées de Pallus - France, Loire Valley, Touraine, Chinon

    The tobacco screams Chinon Cab Franc. But this was a bit disappointing. Mostly black cherry (no pomegranite or cranberry). Iron and mint flavors as well. Medium body, medium acid. Very middle of the road without the edginess I'd expect--mild acidity, no funkiness. Clean, well made, but either better younger or will bloom in time. Right now kind of boring.